Faculty Profiles

Dr. Aguado earned a Ph.D. in Social Work from the University of Illinois at Chicago. She is a bilingual/bicultural clinical social worker with more than 15 years of practice and research experience in the field of HIV/AIDS. Her research interests focus on the social and cultural determinants of sexual health and retention in HIV care.

Flutist Hideko Amano was born in Japan and came to the United States at the age of 12. She studied flute under Ms. Susan Levitin, and soon won many young artist competition awards. Her performance debut occurred in 1990 at Symphony Center, where she performed as a soloist for Chaminade’s Concertino for Flute and Orchestra.  

Ms. Amano earned a bachelor’s degree in music from the New England Conservatory of Music in Boston, where she studied under the prominent flutist Ms. Paula Robison. She gave a joint performance with Ms. Robison in a concert series for the New York Metropolitan Museum of Art. She continued her musical education in Paris, France, studying with Mathieu Dufour, who was the principal flutist for the Chicago Symphony Orchestra. While studying in Paris, she also performed in many international Chamber Music Festivals and concerts in Italy, England, Israel and Morocco. She has continued her career as an active recitalist and has performed on the WFMT 98.7 Monday Evening Series and Dame Myra Hess Concert Series at Cultural Center. In 2018, she was invited to the International Flute Festival in Lima, Peru, as their guest artist to perform with the orchestra, giving recitals and masterclasses.

In addition to her performing career, Ms. Amano also maintains a growing private studio. Her students have won numerous competitions and studied at major universities. Ms. Amano was also an adjunct professor of flute at DePaul University. Currently she serves as an adjunct professor at Carthage College, Harper College and is an instructor at Midwest Young Artists.

Theresa Amato is a public advocate. She currently serves as the executive director of Citizen Works, where she works to rebalance the power between corporations and citizens; and she is the founder and president of the Citizen Advocacy Center, which builds democracy for the 21st century. In both 2000 and 2004, Amato was the national presidential campaign manager and in-house counsel for Ralph Nader, producing the highest vote count for a third-party progressive candidate since 1924. Publishers Weekly termed Amato’s knowledge of election law “encyclopedic,” and the publisher of Ballot Access News called her book, Grand Illusion: The Myth of Voter Choice in a Two-Party Tyranny, the best book ever written on ballot access. Amato is a manager of Amato & Main, LLC, through which she advises nonprofits, foundations, and progressive candidates seeking office.

Director of Clinical Services, Deborah’s Place, 2000-2010.

As a coveted performer with a diverse repertoire, American soprano Michelle Areyzaga is held in high regard by orchestras and opera companies throughout the United States and abroad. She has performed operatic roles with New York City Opera in Telemann’s Orpheus as well as in their VOX series, and has appeared in leading roles with Chicago Opera Theater, Lyric Opera of Chicago’s In the Neighborhoods programs, Opera Birmingham, Ravinia Festival, and Orquesta Sinfónica del Estado de México.

Michelle Areyzaga’s association with the music of Leonard Bernstein runs deep. She has become well known for her interpretation of his delightful and moving music – from her portrayal of Cunegonde in Candide to her participation in varied programs featuring his works, including musical theater and chamber music/recital works. Areyzaga toured the show Bernstein on Broadway together with Jamie Bernstein (Leonard’s daughter) for six years, performing it with the Cleveland Orchestra, Minnesota Orchestra, and the Israel Philharmonic Orchestra, and the Oregon Bach Festival, among many others. Areyzaga is still often heard performing Bernstein, such as her performances in Las Vegas and at Ravinia in conjunction with the composer’s centennial celebration.

As an orchestral soloist, she has appeared with, in addition to orchestras listed above,  Richmond Symphony, Toledo Symphony, Colorado Symphony Orchestra, Grant Park Music Festival, Rochester Symphony, Phoenix Symphony Orchestra, Hartford Symphony, San Antonio Symphony, Rhode Island Philharmonic, Wichita Symphony Orchestra, Cheyenne Symphony Orchestra, and North Carolina Symphony, among others. She sang the first Bach B minor Mass in the country of Costa Rica, under the baton of Maestro John Nelson.

Ms. Areyzaga’s operatic roles have included Susanna, Le nozze di Figaro; title role, Madama Butterfly; Cunegonde, Candide; Adina, L’elisir d’amore; Despina, Così fan tutte; Zerlina, Don Giovanni; Pamina, Die Zauberflöte; Lauretta, Gianni Schicchi; both Musetta and Mimì, La bohème and Casilda in The Gondoliers.

Known as a foremost interpreter of vocal art song and chamber music, Ms. Areyzaga has been a repeat guest of the New York Festival of Song under the direction of Steven Blier and Michael Barrett, the Chamber Music Society of Lincoln Center, the Chicago Ensemble, as well as Chicago’s Dame Myra Hess Memorial Concert Series, and the Tucson Desert Song Festival. She has collaborated with the Avalon String Quartet, the Cavatina Duo, and the Lincoln Trio, and has been selected to perform world premieres of many new works by American composers.

As a recorded artist, she has performed song cycles by Gwyneth Walker on The Sun Is Love (Proteus). Other recordings include Songs from Spoon River (Cedille) by Lita Grier and The Small Hours, songs by William Ferris. She has sung numerous times in both live and programmed broadcasts on Chicago’s classical music radio station WFMT.

Ms. Areyzaga made her European concert debut as soloist in Vaughan Williams’ Mass in G Minor at England’s York Minster Cathedral, Ely Cathedral, and St. Mary’s Church in Oxford. In Paris, she received standing ovations as soloist in the Lord Nelson Mass with the orchestra of London’s Royal Academy of Music and the St. Charles Singers.

Michelle Areyzaga has been named “Artist of the Year” by Pioneer Press and has been an award recipient from the Julian Autrey Song Foundation, Wm. C. Byrd International Young Artist, Shreveport Opera Singer of the Year, Marguerite McCammon Vocal Competition (Ft. Worth Opera), NATSAA—National Finalist ”Outstanding Artist”chosen by Teresa Stratas, Metropolitan Opera National Council (Central Region), Viñas Concurs International and the Concert Artist Guild.

She received her B.A. in Vocal Performance from Roosevelt University with honors and was a member of Ravinia’s Steans Institute for Young Artists. In addition she has been a member of the OperaWorks Summer intensive Program in L.A. and a member of Chicago Opera Theater’s Debut Artist Series.

Ms. Areyzaga is represented by Alpha Artists Management.

Keith Atterberry is a graduate research and teaching assistant at the University of Illinois at Chicago (UIC). He is currently pursuing a doctorate in Criminology, Law and Justice at UIC. Keith is a recipient of the prestigious Diversifying Higher Education Faculty in Illinois Fellowship.

In my work I investigate the connection between language and society from various aspects. As language is an intrinsic part of our lives, language and society are tightly interconnected. Our language use and our attitudes towards different language varieties, whether we look at dialects of the same language, or different languages, reflect power dynamics connected to social class, gender, ethnicity, age, and beyond. I am interested in how minority languages and dialects are affected by more prestigious dominant languages, and I pay special attention to the factors that lead to successful language maintenance. I enjoy doing fieldwork, talking to minority language speakers, learning more about their connection to their mother tongue, and collecting data through interviews.

I also enjoy bringing some of the techniques I use in the field to my classroom and showing students how to conduct linguistic research by investigating the language used around them. The most rewarding part of my teaching is being able to systematically show students that all languages are equally valid. Through this, I hope to empower my students to embrace their own language variety and the linguistic diversity that is part of our society. 

Native of Stamford, CT. Father of one son, Tyler Steinkamp.