Material Culture, Landscape Studies
Ph.D., History of Art & Architecture, Boston University, Boston, MA
M.A., Art History, University of Texas at Austin, Austin, TX
B.A., Art History major, Philosophy minor, Honors Program, SUNY College at Geneseo, Geneseo, NY
Dissertation: "The Kodak Picture Spot Sign: American Photographic Viewing and Twentieth-Century Corporate Visual Culture."
Contributor: "FotoFika's All Stars," 2020allstars.org, MFA and undergraduate photography students, presented as homage to Mike Mandel’s iconic 1975 Baseball Photographic Trading Cards.
Essay in book: "Of Mind and Matter: John Chervinsky’s Photographic Still Lifes," in John Chervinsky: An Experiment in Perspective, self-published with support from Lightwork/Syracuse University.
Exhibition catalog: "'Siting the Specific': Greg Heins, Timothy O’Sullivan, Carrie Mae Weems, and Abelardo Morell," A Generous Medium: Photography at Wellesley, edited by Lisa Fischman, Lucy Flint, and Hannah Townsend, Davis Museum at Wellesley College, Wellesley, MA
Essay in monograph: "Lingering in the In-Between," In Between Planting and Picking, photographs by Sandi Haber Fifield, Milano, Italy.
Essay and interview: "Witness: A Psychic Collaboration, Nate Larson & Marni Shindelman," Exposure: Journal of the Society for Photographic Education.
Cultivated: New Photography from New England, co-curated with Michelle Lamunière, Flash Forward Festival by Magenta Foundation, Boston, MA
Traces: Daniel Ranalli, Cape Work 1987-2007, Provincetown Art Association and Museum, Provincetown, MA
Out of the Box: Photography Portfolios from the Permanent Collection, deCordova Sculpture Park and Museum, Lincoln, MA
Various exhibitions at the Photographic Resource Center: Syntax, Keeping Time, New England Survey (traveled to Fruitlands Museum, Harvard, MA), AD|AGENCY, Picture Show (AICA award), DOCUMENT, Group Portrait, Land/Mark: Locative