J.B. Priestley Calls

    The author of An Inspector Calls, J.B. Priestley (1894-1984) held some uncommon views. Like most English writers of his generation, Priestley was committed, at least on paper, to a socialist view of the causes of Great Britain's woes. The struggle between the haves and the have-nots is often at the heart of a Priestley play or novel. But he also injected into his plays his odd view of Time and its relation to human beings. Priestley believed that all Time is present. What we call the past is still happening; what we call the future is happening even as we savor the present moment. Human consciousness prevents us from seeing both the past and the future as easily as we see the present. Prophetic dreams, for example, are part of the proof of this theory of Time. The dreamer lives the future before the awakened sleeper lives it: Same person, same future, different apprehension.

    One may easily imagine the Twilight-Zone effect this belief might have had on Priestley's work even long before television had been invented, but no such thing happened. Priestly manages to mete out serious comedies that leave the question of Time unasked, thereby allowing the oddities of the human awareness of Time—like deja vu and those prophetic dreams—to maintain their mystery. Such is the case with An Inspector Calls.

    Here, Priestley is trolling for other fish. The target of his sharp pen is human smugness and the blind indifference effected by that smugness. The play opened in 1946, but the action takes place in 1912, in the dining room of the respectable Birling family. The setting and respectability allow for the usual retrospective comedy of vocabulary and parental shock. The daughter, Sheila, accuses her brother of being "squiffy." He, of course, understands the charge and denies it. But Mrs. Birling's reaction is typical of the genre: "What an expression, Sheila. Really, the things you girls pick up these days!"

    Priestley is a master of such easy comedy; in part, that mastery accounts for his great popularity. As the second most popular radio personality during World War II, Priestley was suddenly asked to stop broadcasting.

He and his friends assumed that the Powers-That-Be didn't care for Priestley's socialist critique of England. After his death, it was discovered that the call to silence his radio show came from Winston Churchill, who was at the time the most popular person on British radio. Churchill didn't like the competition.

    But his popularity cannot simply be explained by the easy comedy. His facile jokes sometimes have serious import. Consider the mixture in the following speech, which comes early in the play, as Mr. Birling explains to his son why war is out of the question:
The world is developing so fast that it'll make war impossible. Look at the progress we're making. In a year or two we'll have aeroplanes that will be able to go anywhere. And look at the way the automobile's making headway—bigger and faster all the time. And then ships. Why, a friend of mine went over this new liner last week—the Titanic—she sails next week—forty-six thousand eight hundred tons—forty-six thousand eight hundred tons—New York in five days—and every luxury—and unsinkable, absolutely unsinkable.

The lines about a 30-year-old boating accident, I'm sure, caused no bruises, but airplanes that can go anywhere must have made the post-blitzkrieg London audience cringe. Priestley begins with the serious and leads his audience to the easy laughter at the smugness of Mr. Birling, and his unsinkable optimism, because his play is not a lament about the war. It is, paradoxically, a comedic cry of the heart.

    What's in store for Mr. Birling and the family might have been just as devastating to them as World War II was to London except for their smug superiority. As the visiting Inspector opens their eyes and pricks that smugness, some begin to see, and others remain blind and indifferent.

    But Time, that old trickster, gives every one of them a second chance.
                        Patrick McGuire
                        English Department
                        University of Wisconsin Parkside