Reading and Thinking about Poetry

Perhaps it is because poetry looks different on the page, or perhaps it is because poetry sometimes wears its heart on its sleeve, but for many readers the experience of reading a poem seems different from reading a short story or a play. It is easy to be put off by the formal arrangement of lines and verses and by language that describes private emotions and hidden dreams. Reading poetry, however, is an experience very similar to reading anything else. You read a poem for what you will find there, for what it tells you about yourself, your life, your world. The you read it a second time for the pleasure you find in the way the poet uses words.

First read the poem for what it is about, its subject and its theme; then read it to appreciate further the skill and imagination the poet has used in presenting you with this theme. Even if you are not entirely sure that you understand everything in the poem in your first reading, you can be struck by the writer's skill. If we take a very short poem as an example, you can see that it is often the poet's ability to choose one thing out of the mass of small details that brings a poem to life. Other poems can suggest an emotional situation so clearly and with such intensity that you find the words stay in your memory , even if you could not write them down exactly if you were asked.

Longer poems can be more difficult for the reader. Sometimes the language is unfamiliar; sometimes the theme is not clear at first reading. The general rule is to read the poem straight through to the end, even if you are unsure of the meaning of all the words or phrases the first time around. Often the whole poem will clarify the meaning of the early images or lines. Unless you give yourself the opportunity to read the entire poem, you will not have a fair chance to find out what it is saying.

It is possible, of course, for you to pay close attention as you follow the words in a poem, read it carefully straight through to the end, reread it a second tie, and still find its meaning elusive. Then you might find writing a paraphrase of the subject of the poem helps you to understand it as you attempt to put the poem into your own words. Usually the effort of trying to find your own words to express the subject of a poem will help you to understood it. Writing a paraphrase will force you to spend more time focusing on the poem to clarify your thoughts. This is the first step in the process of thinking critically about poetry.

Poems are "meter-making arguments," so they usually represent an idea or develop a series of ideas in a coherent discourse. Poems are also "language charged with meaning to the utmost degree," so you may have to unravel the ideas behind the words as patiently as you would unravel a ball of string after your cat has played with it. When you write a paraphrase of a poem, you take the chance that you might be mistaken about all or part of its meaning. But you also have a method of clarifying the subject that usually brings you closer to the theme or the central idea that you sense behind the poem's words.

Guidelines for preparing to read and discuss your poem in class

  1. Read the poem through once in its entirety, regardless of whether you understand all the words.
  2. When you read the poem a second time, use a dictionary to look up words you don't understand.
  3. Note what impresses you most about the way the poet uses language in the poem, in particular the poem's rhyme, its figurative language, and its diction.
  4. Try to write a paraphrase of the subject of the poem, following the poet's argument closely as it develops throughout the lines of the poem. Does the poet use paradox, symbolism, allusion, or tribute? Summarize, if you can, the theme of the poem in a single sentence.
  5. Think about the following questions:
  6. Prepare to read the poem out loud in class and discuss what you think it means and how its relates to the course ideas, in addition to any answers to the above questions you may have.
The above is an excerpt from Literature and Its Writers, Edited by Ann Charters and Samuel Charters, Boston: Before Books, 1997, Pages 1011-1015.
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©2001 Northeastern Illinois University Women's Studies Program
Last updated 1/8/2001
Created by Laurie Fuller, Assistant Professor and Women's Studies Coordinator